The act was followed by designers Shruti Sanch-eti of Pinnacle

Myriad stitch work, geometric patchwork, interesting combos of prints and intricate crochets engulfed "Twist in my sobriety" by Payal Pratap.. The designer sent out several reversible separates for men and women alongside liquid mesh structures in tie and dye engineered silk shift dresses, Maheshwar draped trousers, rainbow striped shirt dresses, panelled numbers, saris made from engineered copper silk, high twist cotton silk kinji dresses among several others.Day 2 of the ongoing fashion week could’ve easily passed off as "textile day" with strong designer lineups presenting stronger collections. Aakaro by Gaurav Jai Gupta’s collection titled Pingala (nerve-current on the right side of the spinal column) was next in line. Soni, presented two distinctly different lines. He, along with designer Ashish N. For fabrics — the designer used the best of linens, cotton, cotton silks, chanderis, linen blends and khadi. The designer duo played with calligraphy, Polyester cotton stretch fonts, and logos in outfits that ranged from khadi dresses, kora khadi safety pin kurtas, gold laminated khadi palazzo pants, printed silk joggers to black and gold printed khadi jackets and more. Her Spring-Summer edition comprised fluid garments, kurta pajamas, trousers, tops with elbow length sleeves, collared buttoned down shift dresses, summer jackets, ankle length skirts with net extensions, signature anti-fits blouses and more, in organic handwoven textiles.

The act was followed by designers Shruti Sanch-eti of Pinnacle, Pratima Pandey of Prama and Urvashi Kaur. Models sashayed down the runway showcasing the designer’s visionary pieces in a fine blend of silk, cotton, linen, zari, stainless steel, monofilament silks and metallic yarns. Singer Sona Mohapatra was seen performing during the show. Next, Abraham and Thakore presented their slowest of slow fashion during one of the late evening shows. Rajesh Pratap Singh sent out his models for an urban showdown in a world where asymmetry and bold graphics were the norms. A name synonymous to the quintessential Indian drape — saris — Anavila’s show was jampacked. Her love affair with stitches recited a modern story and was cleverly weaved together with details like handmade leather footwear, wrap belts, and woven leather bags. Titled "When we look back tomorrow" Anavila leaned on classical rustic hues of white, cream, beige, greys and off-whites. Monochro-matic stripes, polka dots, plaids, tartan checks scattered across various bottom silhouettes, asymmetrical kurtas, harem pants, blazers and jackets with high-low hems were sent out by RPS while Ashish sent out his brigade of men and women sporting smoky eyes and shimmery suits and tuxedos. Sari dresses, structured jackets, cropped boleros, peplum jackets with gathered sleeves, jumpsuits and easy dresses were some of the key highlights. Virtues by Viral, Ashish and Vikrant kick-started the day with an eclectic line of 23 ensembles that included layered dresses, capes, Ikat woven frock dresses, pants, and off-shoulder gathered tops in a collection titled "Mrs Nair’s High Tea"

Asia-Pacific Packaged Air Conditioners market competition

Asia-Pacific Packaged Air Conditioners market competition by top manufacturers/players, with Packaged Air Conditioners sales volume, price, revenue (Million USD) and market share for each manufacturer/player; the top players includingCarrierDaikinIngersoll RandJohnson ControlsGreeMitsubishi ElectricBoschPanasonicMideaSamsungYorkHitachiToshibaHaierGoodman Manufacturing This release was published on openPR.. and offers premium progressive statistical surveying, market research reports, analysis & forecast data for industries and governments around the globe.reportsandmarkets.Packaged Air Conditioners,Johnson Controls,Goodman Manufacturing CompanyIn this report, the Asia-Pacific Packaged Air Conditioners market is valued at USD XX million in 2016 and is expected to reach USD XX million by the end of 2022, growing at a CAGR of XX% between 2016 and 2022. Ltd.About Reports and MarketsReports and Markets is part of the Algoro Research Consultants Pvt.M Air Conditioning LLCOn the basis of product, this report displays the sales volume (K Units), revenue (Million USD), product price (USD/Unit), market share and growth rate of each type, primarily split intoPackaged AC with Water Cooled CondenserPackaged AC with Air Cooled CondenserSample Report Request: www.comPh no.com/sample-request/asia-pacific-pac.

Geographically, this report split Asia-Pacific into several key Regions, with sales (K Units), revenue (Million USD), market share and growth rate of Packaged Air Conditioners for these regions, from 2012 to 2022 (forecast), includingChinaJapanSouth KoreaTaiwanIndiaSoutheast AsiaAustraliaDetailed Report With TOC: www..CONTACT USSanjay JainManager - Partner Relations & International MarketingEmail: [e-mail] the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, sales volume (K Units), market share and growth rate of Packaged Air Conditioners for each application, includingResidentialLight Commercial Use (Hotels, Restaurants, Shops)Small to Medium OfficesOtherIf you have any special requirements, please let us know and we will offer you the report as you want.Are you mastering your market? Do you know what the market potential is for your product, who the market Polyester stretch fabric Suppliers players are and what the growth forecast is? We offer standard global, regional or country-specific market research studies for almost every market you can imagine

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The designs were mainly structured and sophisticated

This season plunged into the universe of the eccentric house founder, who, the brand informed guests, once swallowed flower seeds to try to become a flower as a little girl. These historic garments cut a surreal silhouette when placed below a striped skirt-suit with dolphin motifs, with the skirt was hoisted up to the bust.Here are mechanical stretch fabric Suppliers some of Sunday’s Paris Fashion Week highlights:Valentino’s powerful simplicity"By subtracting colour, shape and volumes come to the fore," Pierpaolo Piccioli said.Giant bowling shoes redesigned as dolphins led on to truncated shells of crinolines.Chirac memorial prompts creative means of transportThe house of Valentino, whose Sunday show was staged inside the grounds of Les Invalides, sent out a flurry of messages to guests alerting them to traffic concerns and to arrive extra-early..While at Givenchy, "Game of Thrones" star Maisie Williams looked very much the part, arriving in denim at a collection that celebrated the world’s most famous blue cotton fabric twill.But the most popular option seemed to be one of the newest forms of transport taking Paris Fashion Week by storm: Rent-a-scooters.". The first looks were all white. the everyday and prosaic meeting the exquisite and rare. Some others simply walked kilometers from the previous show in the drizzle. With this mantra, the Italian Valentino designer composed a refined and thoughtful opus for spring that took the storied house in a more focused direction than last season’s chunky butterfly embroideries. Browne injected his trademark contradictions onto his tight bread-and-butter suit styles.

The designs were mainly structured and sophisticated with hints of Surrealism.This naivety and playfulness were apparent in all of the 20 looks: From a beautifully-proportioned signature shocking pink geometric pant suit, to a soft jacket with an eye-popping yellow and orange fringe.A less-is-more philosophy at Valentino had celebrity guests, including American singer Camila Cabello and model Naomi Campbell, vigorously applauding.Schiaparelli’s tropes of displacementThere have been fits and starts since the famed house of Elsa Schiaparelli — the archrival of Coco Chanel — was relaunched some six years ago.Now, with designer Daniel Roseberry in place, the house associated with couture took one more trepidatious step into ready-to-wear. Companies such as Lime have capitalised on the mayhem and offered fashion week guests special offers for their services for the duration of the season. The outcome left guests inside the Place Vendome presentation smiling.Roseberry said he channelled "Surrealist tropes of displacement .Though it was lost on guests if the imaginative presentation was a comment on climate change, the inventive styles made a statement of their own.Balloon sleeves and retro scarf necklines, meanwhile, added to this season’s inescapable fixation with all things ’70s.. There were stylish moments: For example, the kick on heavy pleated floor-length silk skirts that sometimes peeked out — boho style — from beneath low hanging tops.The collection maintained this arresting simplicity throughout, even when bright color was explored in an electric lime silk gown with a beautiful floor-length trapeze silhouette.Voluminous white shirt-dresses served as a tabula rasa, a blank canvas, which Piccioli then adorned with delicate gold jewelry, such as a round necklace with a figurative bird pendant.Browne continues to redefine Paris Fashion Week with displays that are as much about the visual concept as they are the ready-to-wear.Faded past meets denim at GivenchyIn a more commercially minded collection than usual, British designer Clare Waight Keller’s mission statement was to merge a "tough urban energy" with the "patina of time. (Elsa was friends with Salvador Dali.The warnings were sent because Les Invalides was also the site of a public ceremony on Sunday afternoon in memoriam of former French President Jacques Chirac who recently died.For spring, Piccioli took us to heaven.Here, the designs blossomed via their simplicity in white and eye-popping color with flashes of gold.One bicycle-riding editor in an impractical, long layered designer dress wore eccentric ankle clips to stop her look catching in the chain.The thousands-strong lines of mourners, multiple police cordons and snaking traffic encouraged normally cab-hailing fashion insiders to resort to creative means of transport. Instead, they channeled a wearable — and sometimes play-it-safe — ’70s vibe that recalled Waight-Keller’s days at the design helm of Chloe. It was gently ruched at the collar with a 1970s necktie detail, and was worn by a makeup-less model who resembled a divinity with myriad gold sequins around the eyes.Thom Browne’s winter gardenA snow-covered garden, frozen white wilting roses and tiny white birds suspended in the air resembling snowflakes provided the backdrop as showman Thom Browne transported guests to an off-season winter wonderland to showcase his spring-summer collection. The pieces de resistance came at the end as trapeze-silhouette gowns merged historic Persian-inspired prints with fashion-forward acid hues of electric green, cobalt and brilliant azure.The skeletal crinolines were then fleshed out as the show progressed with layers of tweed fabric evoking Marie Antoinette or perhaps the Snow Queen. Large blond and dark wigs added to the queenly vibe — accessorised with an occasional tulle veil in a nod to bridal couture.But much of the diverse 63-piece collection didn’t fit these themes.) A thick snaking serpent in gold made for a standout necklace, and the house said it had scanned human hair, pool tiles, and even brown paper bags in order to print them all on silk satin. At times, the shirts’ high collars and starched feel felt ecclesiastical, while their voluminous sleeves almost angelic."Faded denim — of which the show invitation was fashioned — provided the urban edge in loose and frayed cropped pants or a funky boho skirt with inset fabric, while historic gowns in brightly colored 18th century prints referenced the styles of a bygone era

But the common denominator in his paintings remain

But the common denominator in his paintings remain the movement and the kinetic force which he implies through the use of diluted ink to pencil, pastel, charcoal, acrylic and oil colours depending upon the demand of the subject.Biswas, on the other hand, has tried to explore the much wider subjects for his paintings ranging from "Scam Smelling Dog" to "God giving blessings" to the devastation that "Taliban caused to the world with its terror"..On display are intricate paintings that come spontaneously from the store of their imagination while observing people and incidents they witness in their daily lives. While Biswas has explored an array of non-visible feelings between humans and animals that coalesce them together, Mukherjee has tried to establish the necessity of clothes for people while showcasing the product’s immense potential of being dispersed across the canvas in myriad colours.

The five-day art show Emotion, Nature, Animals and Human by artists Kanika Mukerjee and Trithankar Biswas begins on January 16 at the Open Palm Court, India Habitat Centre, New Delhi.The China spandex fabric Manufacturers artist has incorporated vibrant hues of blues and earthy colours that shines through the cuts and wraps of the fabric while demonstrating different moods of nature.For the paintings that will be displayed in the show, Mukhrejee has used raw fabric to demonstrate impeccable imagery of landscapes, forests, rocks, mountains, trees and flowers that is not only poetic but also tends to establish a potent relation between human beings and the nature."These paintings are a celebration of a union between humans and the quietude of nature. Sometimes these are in realistic approach and sometimes semi-realistic. I have used fabric to create these landscapes because I think the nature of the medium who evoke a need amongst people to visit nature anew," says Mukherjee."These works are a mix-bag of my imaginations that comes spontaneously while I get closer to my subject. The landscapes move in cyclic times, their daylight descending into resplendent hues of a serene lake or the darkness of a lonely night. I also like to bring in variation in the medium that I use to express my imagination similar to my subject," says Biswas. They have a deep connection with the visible world that I saw during my childhood and non-visible feelings that can only be expressed on paper or a canvas